Alicia Austin[/caption]
Alicia Austin ’16 had never even attended a play before coming to the University of Mary Washington. But after her first costume design course, she realized theatre was the perfect fit.
“It was so interesting to me that I changed my major,” said Austin, who planned to study psychology but found elements of that in her new field. “I discovered that costuming could be a visual language to express each character’s personality.”
Now she’s putting those sartorial skills to work. After earning a bachelor’s degree in theatre from Mary Washington, Austin completed an MFA at Yale University. Graduating just before COVID shuttered Broadway, she made a leap from stage to screen, joining design teams for remakes of HBO’s Sex and the City and Steven Spielberg’s West Side Story, as well as the Hulu hit Only Murders in the Building, which just began its second season.
It’s a success story she’s been stitching together a little at a time. Read more.Theatre Alum Creates Costumes For Hit Shows on Hulu, HBO
August 4, 2022 by
[caption id="attachment_166882" align="alignright" width="150"] Alicia Austin[/caption]
Alicia Austin ’16 had never even attended a play before coming to the University of Mary Washington. But after her first costume design course, she realized theatre was the perfect fit.
“It was so interesting to me that I changed my major,” said Austin, who planned to study psychology but found elements of that in her new field. “I discovered that costuming could be a visual language to express each character’s personality.”
Now she’s putting those sartorial skills to work. After earning a bachelor’s degree in theatre from Mary Washington, Austin completed an MFA at Yale University. Graduating just before COVID shuttered Broadway, she made a leap from stage to screen, joining design teams for remakes of HBO’s Sex and the City and Steven Spielberg’s West Side Story, as well as the Hulu hit Only Murders in the Building, which just began its second season.
It’s a success story she’s been stitching together a little at a time. Read more.
Alicia Austin[/caption]
Alicia Austin ’16 had never even attended a play before coming to the University of Mary Washington. But after her first costume design course, she realized theatre was the perfect fit.
“It was so interesting to me that I changed my major,” said Austin, who planned to study psychology but found elements of that in her new field. “I discovered that costuming could be a visual language to express each character’s personality.”
Now she’s putting those sartorial skills to work. After earning a bachelor’s degree in theatre from Mary Washington, Austin completed an MFA at Yale University. Graduating just before COVID shuttered Broadway, she made a leap from stage to screen, joining design teams for remakes of HBO’s Sex and the City and Steven Spielberg’s West Side Story, as well as the Hulu hit Only Murders in the Building, which just began its second season.
It’s a success story she’s been stitching together a little at a time. Read more.UMW Theatre Continues 2018-19 Season with Merrily We Roll Along
October 30, 2018 by
UMW Theatre will continue its 2018-19 season with Merrily We Roll Along, music and lyrics by Stephen Sondheim and book by George Furth. Performances will be Nov. 1-3, Nov. 8-10, and Nov. 14-17 at 7:30 p.m., and Nov. 4, 10, 11, 17, and 18 at 2:00 p.m. in Klein Theatre, duPont Hall at the University […]
UMW Theatre Opens 2018-19 Season with The Amish Project
September 20, 2018 by
A generation ago, Broadway responded to rocketing ticket prices with a “rush line,” helping bring New York theatre back into the mainstream. This week, UMW Theatre joined the best in the business when it kicked off its 2018-19 season with a pay-what-you-can preview performance of The Amish Project by Jessica Dickey on Wednesday, Sept. 19.
Patrons could quite literally pay whatever they could afford for the special production, which began at 7:30 p.m. in Klein Theatre, located inside the University of Mary Washington’s duPont Hall. Regularly priced tickets are $20; students, senior citizens, alumni and the military usually pay $16.
“We want to be certain that our work is accessible to the widest audience possible and we hope this initiative removes any economic barrier to attending live theatre in Fredericksburg,” said Gregg Stull, professor and chair of the Department of Theatre & Dance and director of The Amish Project. “Professional theatres throughout the country have included pay-what-you-can performances in their seasons for more than 25 years. We want to share our work with as many people as we can and we hope this will open our doors to people who might not otherwise attend a performance in Klein Theatre.”
To that end, each of UMW Theatre’s 2018-19 productions will include an opening, pay-what-you-can performance.
Regular performances of The Amish Project will be held Sept. 20-22 and Sept. 26-29 at 7:30 p.m., and Sept. 23, 29 and 30 at 2 p.m. in Klein Theatre. AfterWords, a post-show talkback with the cast, will take place after the matinee performance on Sept. 23.
The Amish Project, which features a cast of UMW theatre students from around the country, is a fictional depiction of factual events: a tragic shooting that took place in a one-room schoolhouse in an Old Order Amish community. In October of 2006, a gunman entered the West Nickel Mines schoolhouse in a village in Bart Township, Lancaster, Pennsylvania and opened fire before turning the gun on himself. Through the stories of these imagined characters, Jessica Dickey explores unconditional forgiveness and reconciliation within the Amish community in the wake of this tragedy.
From cast member and stage manager to costume construction and lighting design, UMW students have taken front seat roles in the theatre production, directed by Stull. Scenic design is by assistant professor Michael Benson, and costume design is by associate professor Kevin McCluskey. Lighting and sound design are by guest designers Catherine Girardi and Jon K. Reynolds, respectively.
The Amish Project was originally written and performed by Jessica Dickey as a one-woman, multiple character show, which premiered at the New York International Fringe Festival in 2008. After being workshopped, the play opened Off-Broadway in 2009, and has since been adapted for an ensemble.
For more information, call the Klein Theatre Box Office at 540-654-1111 or visit www.FredTix.com.
“We want to be certain that our work is accessible to the widest audience possible and we hope this initiative removes any economic barrier to attending live theatre in Fredericksburg,” said Gregg Stull, professor and chair of the Department of Theatre & Dance and director of The Amish Project. “Professional theatres throughout the country have included pay-what-you-can performances in their seasons for more than 25 years. We want to share our work with as many people as we can and we hope this will open our doors to people who might not otherwise attend a performance in Klein Theatre.”
To that end, each of UMW Theatre’s 2018-19 productions will include an opening, pay-what-you-can performance.
Regular performances of The Amish Project will be held Sept. 20-22 and Sept. 26-29 at 7:30 p.m., and Sept. 23, 29 and 30 at 2 p.m. in Klein Theatre. AfterWords, a post-show talkback with the cast, will take place after the matinee performance on Sept. 23.
The Amish Project, which features a cast of UMW theatre students from around the country, is a fictional depiction of factual events: a tragic shooting that took place in a one-room schoolhouse in an Old Order Amish community. In October of 2006, a gunman entered the West Nickel Mines schoolhouse in a village in Bart Township, Lancaster, Pennsylvania and opened fire before turning the gun on himself. Through the stories of these imagined characters, Jessica Dickey explores unconditional forgiveness and reconciliation within the Amish community in the wake of this tragedy.
From cast member and stage manager to costume construction and lighting design, UMW students have taken front seat roles in the theatre production, directed by Stull. Scenic design is by assistant professor Michael Benson, and costume design is by associate professor Kevin McCluskey. Lighting and sound design are by guest designers Catherine Girardi and Jon K. Reynolds, respectively.
The Amish Project was originally written and performed by Jessica Dickey as a one-woman, multiple character show, which premiered at the New York International Fringe Festival in 2008. After being workshopped, the play opened Off-Broadway in 2009, and has since been adapted for an ensemble.
For more information, call the Klein Theatre Box Office at 540-654-1111 or visit www.FredTix.com.