December 5, 2025

EagleEye

A Newsletter for UMW Faculty and Staff

UMW Theatre Project Updates

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Construction-related activities begin this month on the University of Mary Washington’s new theatre

Construction-related activities begin this month on UMW’s new theatre, a fresh academic home for the Department of Theatre and Dance.

Construction-related activities begin this month on the University of Mary Washington’s new theatre – a new academic home for the Department of Theatre and Dance that will be a student-focused hub of arts enrichment designed to inspire creativity and foster student success.

What’s happening and when:

  • Demolition of Brent House starts this month.
  • Once complete, demolition will proceed at Marshall and Russell Halls.
  • The Marshall hill roadway and the Marshall and Russell parking lots are closed for the duration of the project.

Impacts may be experienced, such as loud noise, dust and increased activity during demolition and construction. Every effort will be made to mitigate and minimize impacts to surrounding areas.

Ways we’re keeping things in check:

  • Limits on Construction and Erosion & Sediment Control: We’ll implement best-practice erosion control measures, including silt fencing, dust suppression systems, perimeter fencing and stabilized construction entrances.
  • Ongoing Monitoring: Dedicated environmental staff will conduct regular inspections to ensure all controls are functioning effectively, even in changing weather.
  • Construction Timelines: Demolition and major work will take place in accordance with the City of Fredericksburg noise ordinance, from 7 a.m. to 7 p.m. Monday through Friday and 9 a.m. to 9 p.m. on Saturdays, Sundays and holidays.

Work is being done hand-in-hand with the city to minimize traffic disruptions, maintain clean streets, and rebuild this corner of campus to connect with downtown and our neighbors. In addition, we’re completing parking lot maintenance throughout the summer. Crews will be on campus to mill, pave, seal and stripe several parking lots, including improvements for drainage at the Sunken Road parking entrance.

We hope these updates will enhance safety, function and appearance and appreciate patience as this work is completed. This project along the Sunken Road side of the Fredericksburg campus aims to build a new cultural landmark that adds value for students, campus and the surrounding neighborhoods and community.

Read more campus construction updates.

UMW Theatre Returning for 2025 Season

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UMW Theatre will resume its 2024-25 season with John Proctor is the Villain by Kimberly Belflower. Performances will be February 6-8 and February 13-15 at 7:30 p.m., and February 9 and February 16 at 2:00 p.m. in Klein Theatre, duPont Hall at the University of Mary Washington. Tickets are $30 for standard admission and $25 for students, senior citizens, and military. Groups of ten or more can receive a discount as well.

Guests may also attend the Pay-What-You-Can Preview performance on February 5 at 7:30 p.m. The box office opens at 5:30 p.m. and tickets are available on a first-come, first-served basis. AfterWords, a post-show talkback with the cast, will take place after the matinee performance on February 9.

Set in 2018 rural Georgia, John Proctor is the Villain explores the experiences of a group of high school students studying Arthur Miller’s play, The Crucible. As scandal erupts in their town, the students begin to draw parallels between their lives and the plot of The Crucible, questioning if John Proctor is the hero he is made out to be. John Proctor is the Villain explores themes of friendship, power dynamics, and patriarchy through a contemporary feminist lens.

After reading The Witches by Stacy Schiff, a nonfiction book about the Salem Witch Trials, Kimberly Belflower began to draw parallels between the trials and the #MeToo movement. With this idea, she was commissioned by The Farm Theater in New York to write a play which grew into John Proctor is the Villain. The play was commissioned by The Farm Theater in 2017 and workshopped there in 2018, as well as the Ojai Playwrights Conference in 2019. The play was staged at Centre College in 2018, at Furman University and Rollins College in 2019, and professionally at DC’s Studio Theatre in 2022. The Broadway premiere is scheduled for spring 2025.

John Proctor is the Villain is directed by Gregg Stull, professor of theatre and chair of the Department of Theatre & Dance. Scenic design is by Associate Professor Michael Benson and sound design by the Director of Marketing and Audience Services Jon Reynolds. Lighting design and costume design are by guest designers Max Doolittle and Alicia Austin ’16 respectively. For further information, call the Klein Theatre Box Office at (540) 654-1111 or visit www.FredTix.com.

Theatre Alum Creates Costumes For Hit Shows on Hulu, HBO

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Alicia Austin

Alicia Austin

Alicia Austin ’16 had never even attended a play before coming to the University of Mary Washington. But after her first costume design course, she realized theatre was the perfect fit.

“It was so interesting to me that I changed my major,” said Austin, who planned to study psychology but found elements of that in her new field. “I discovered that costuming could be a visual language to express each character’s personality.”

Now she’s putting those sartorial skills to work. After earning a bachelor’s degree in theatre from Mary Washington, Austin completed an MFA at Yale University. Graduating just before COVID shuttered Broadway, she made a leap from stage to screen, joining design teams for remakes of HBO’s Sex and the City and Steven Spielberg’s West Side Story, as well as the Hulu hit Only Murders in the Building, which just began its second season.

It’s a success story she’s been stitching together a little at a time. Read more.

UMW Students Creating Theatre for Young Audiences

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UMW Theatre and Studio 115 has teamed up with Fairfax County Public Schools to present Bedtime Stories (As Told By Our Dad) (Who Messed Them Up) by Ed Monk.

Dad is determined to make bedtime a smashing success. How hard could it be?! Just read a few books and then . . . REST AND RELAXATION! Little does he know that the kids have impossibly high standards and, as he begins to dive in, Dad quickly realizes he doesn’t remember the classics as well as he thought. As his retellings teeter off the rails, he weaves unforgettable stories from familiar, yet fractured, tales.

This performance is free and presented virtually one time only with Broadway On Demand on April 9 at 7:00 pm.

Please visit http://www.broadwayondemand.com/signup to register for an account prior to the performance. To attend the performance, visit: http://www.umwtheatre.org/bedtime.

If you would like to share information about the performance with parents of young children (aged 4-11) or any educators in your life you may share this linked PDF.

We are excited about this opportunity for our students to share this story with our community. We hope you will join us and spread the word. Should you have any questions, please email jreynol2@umw.edu.

Stull Pens Editorial on Lillian Hellman for ‘Great Lives’ Lecture

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Professor of Theatre and Chair of Theatre and Dance Gregg Stull

Professor of Theatre and Chair of Theatre and Dance Gregg Stull

Professor of Theatre and Chair of the Department of Theatre and Dance Gregg Stull penned an editorial about playwright Lillian Hellman for The Free Lance-Star in advance of his “Great Lives” lecture on March 18. The lecture can be viewed at umw.edu/greatlives.

PLAYWRIGHTS hold a mirror to demand an unforgiving reflection of life while posing provocative questions and providing few easy answers. Their characters illuminate a world where equity, justice, and possibility often elude all but the truly privileged.

Few American playwrights have interrogated this truth more than Lillian Hellman (1905–1984), who made an indelible mark on mid-20th century realism, even as she found herself overlooked among other playwrights of her time—such as Tennessee Williams, Clifford Odets, Arthur Miller, Horton Foote, and William Inge. Read more.

Alum Skyrockets in Career as NASA Videographer

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Paul Morris, who received a bachelor’s degree in theatre from UMW in 2010, is now a video producer for NASA. A documentary he created for the 30th anniversary of the launch of the Hubble Space Telescope has garnered more than 400,000 views on social media. Photo courtesy of Paul Morris.

Paul Morris, who received a bachelor’s degree in theatre from UMW in 2010, is now a video producer for NASA. A documentary he created for the 30th anniversary of the launch of the Hubble Space Telescope has garnered more than 400,000 views on social media. Photo courtesy of Paul Morris.

Paul Morris ’10 grew up recording epic space battles on stop-action film. He’d pose and re-pose Star Wars figures, capturing them with a Sony Super 8 camera that kept conking out.

Now a video producer for NASA, Morris’s outer-space odysseys are a bit more high-tech. A documentary he created – from conception to final cut – for this spring’s 30th anniversary of the Hubble Space Telescope, went into orbit on social media. With a theatre degree he didn’t know existed when he got to college – and the teamwork and storytelling skills that came with it – Morris turned his innate fascination with all things galactic into a soaring career.

“It’s been an absolute dream,” he said. “I’ve always been obsessed with space and with NASA.”

UMW, too, was ingrained in Morris, whose grandparents Marceline Weatherly Morris ’50 and Elmer “Juney” Morris Jr. ’50, married seven decades this month, began their courtship at Mary Washington. Paul Morris took a cue from the couple, meeting fellow theatre major Cassie Lewis ’11 on campus and marrying her beneath a magnolia tree in his Nana’s backyard. Read more.

Benson Discusses Pandemic and Arts Sector

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Assistant Professor of Theatre Michael Benson

Assistant Professor of Theatre Michael Benson

Assistant Professor of Theatre Michael Benson was interviewed for an article in The Well News entitled, “Pandemic Related Challenges Loom Large in the Arts Sector.” 2020 graduate Erick Boscana was also quoted in the story.

 

Erick Boscana, a 2020 graduate of the University of Mary Washington, was still in the midst of scenic design classes when the university informed students facilities were being closed and they had to continue their classes remotely.

“For most of us, adapting to that new reality was impossible,” Boscana said.

“The shutdown placed the [UMW Theatre and Dance] Department in a very precarious position academically because for many of the seniors, their senior project hinged on either a completed performance in ‘Much Ado’ [the spring semester play] or an executed design.” 

Boscana continues, “Fortunately, they were able to organize a Zoom format for an abridged production of ‘Much Ado,’ allowing the actors to showcase the work they had spent the past three months on and the department created a video featuring the work we had already completed.” 

The students at the university weren’t the only ones adapting to uncharted territory.

Michael Benson, an assistant professor in the UMW Theatre and Dance Department, said his initial reaction to having to teach remotely was to ask himself what it was going to take to adjust to the new situation.

“Frankly, most of my energy was funneled to migrating my classes online,” said Benson.

To improve his ability to teach in the remote environment, Benson learned new software and technology, one byproduct being a set of online lectures for his technical production class. 

He goes on to joke that for his scene painting class, he “devised modality of instruction that resembled ‘The Joy of Painting’, sans the cool hair.” 

Benson says as a result of all these adaptations, he “gained a new and healthy respect for instructors who regularly teach online.”  Read more.

Stull, Reynolds’ UMW Theatre ‘Dear Evan Hansen’ Reimagining Featured in FLS

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UMW Theatre’s reimagining of the song ‘Anybody Have a Map?’ from the Tony Award-winning musical ‘Dear Evan Hansen’ was recently featured in an article in The Free Lance-Star. Jon Reynolds, director of marketing and audience services, updated the lyrics with the permission of the show’s creators to reflect the students’ common experiences in the face of the coronavirus pandemic.

The students recorded themselves singing individually in their own homes and submitted their videos. Director and theater department chair Gregg Stull and production supervisor Brandon Prendergast—with help from James Gardiner, a deputy director at Washington, D.C.’s Signature Theater—edited the recordings together into a video that was posted to YouTube, where it has been shared several thousand times and was applauded by Broadway star Laura Benanti.

“When we left campus on March 12, we held an important goal of keeping our students active and engaged while they were distant from us,” Stull said.

UMW sponsored a trip to New York last year to see “Dear Evan Hansen,” and the musical was a Common Read across campus in the 2018–19 academic year, Stull said, so it is familiar to many students.

“We really wanted to create something with our students that gave them a chance to respond to their feelings and was hopeful in these uncertain times,” Stull said.

The changes to the song’s spoken-word lyrics, which were approved by creators Benj Pasek and Justin Paul, reflect a post-coronavirus world in which classes are held via Zoom meeting, friends socialize after class virtually through Google Hangouts, in-person commencement ceremonies are postponed and toilet paper is hard to find. Read more.

UMW Theatre reimagines Dear Evan Hansen’s “Anybody Have a Map?”

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A message from UMW Theatre.

We’ve started our last week of classes. We have all stretched ourselves. We have stepped into uncharted waters as we gather new ways to teach and learn. We have pushed beyond the bounds of what we thought was possible.

The University of Mary Washington is a special place, distinguished by the strong connections our faculty build with our students as they grow and learn together. COVID-19 has not changed that. In many ways, it has strengthened our work with each other.

There have been real challenges. And there have also been moments of real joy. One thing is certain, today more than ever before, we relish the moments of success and connections we find even when apart from one another.

And to celebrate that joy, this is a gift from UMW Theatre to you—”Anybody Have a Map?” from the blockbuster musical Dear Evan Hansen by Benj Pasek, Justin Paul, and Steven Levenson reimagined by our students for today. Stay safe and well.

 

Gregg Stull signature

Gregg Stull
Producing Director